Tom Booth Woodger

Designer, publisher & photographer based in London, UK.

More information here.



Contact

tom.booth.woodger@gmail.com
@tomboothwoodger


Photographs

Index
Kicking up Dust
In a matter of seconds, & minutes
Little White Butterflies


Objects

Portfolio Boxes
Posters

Websites

Bluecoat Press
Photo Editions
Tami Aftab
Alison McCauley


Book Design

Reverie - Martin Amis
The Killing Ditch - Damnien Wootten Assent - Michael Alberry Shuttles, Steam & Soot - Daniel Meadows Young People's Prompts for Looking at Portraits by Anthony Luvera
The Magic Money Tree - Kirsty MacKay One Year! Photographs from the Miners’ Strike 1984-1985
The Lake - Ian Ruhter
Backdrop - One Rainy Day
ATLCA (3rd Edition) - Matt Stuart
Reconstructed Nature - Luke & Nik
Need Not Greed - Alan Hardman
This Was Then - Mike Abrahams
Vulcan’s Forge - Janine Wiedel
Shimmers - Alison McCauley
One Night Only - Bruce Gilden
Black Cat Kingdom - Sari Soininen
The Rice is on the Hob - Tami Aftab
Book of the Road - Daniel Meadows
Children - Marketa Luskacova
Folly - Jamie Murray
Closed - Martin Amis
Portlanders - Nick Gervin
Modern Paradox - Joshua K. Jackson
Hidden - Elena Subach
This Golden Mile - Kavi Pujara
The Island - Robert Darch
Who We Are 200
Gesture Workshop
Black Country - Bruce Gilden
Silent Coast - Rob Ball
Anywhere but here - Alison McCauley
Birdmen - Dod Miller
Memory Lane - Martin Salter
Every Cross - Michael Alberry
Keywork - Chris Hoare
Murmurations - Billy Barraclough
This Land - Martin Amis
c.1950 - Jake Michaels
Breakfast - Niall McDairmid
ATLCA (2nd Edition) - Matt Stuart
Into the Fire - Matt Staurt

















































































Black Country - Bruce Gilden

Black Country was made by Gilden in 2013 whilst on commission for Multi-Story projects. During his three week stay Gilden documented overlooked people, factories and homes in the Midlands in order to unveil and study the changing landscape of post-industrialised Britain.

Gilden focused on the neglected and marginalised communities; his goal was to shine a light not only on people who are often ignored in day to day society, but also on the trades and ideals that are slowly fading into history in the UK.

The design of his new monograph directly draws upon the themes which Gilden investigated whilst producing the work. Bound using stainless steel screws to appear like a factory manual, the book is presented in a beautiful cover printed with silver on black paper, just like those worn doors found in real-life warehouses and factories; inside, instead of machinery, a series of large scale saturated images grab your attention, forcing you to pay full attention to the subjects.  

Year: 2022
Pubisher: Setanta Books
Printer: MAS Matbaa
Printing: CMYK + Varnish
Cover Printing: S+CMYK
Size: 238x317mm
Pages: 106
Images: 57
Paper: Arctic Volume High White 150gsm + Sirio Ultra Black 380gsm
Special Edition: Stainless steel cover + black silkscreen
Binding: Post Bound
Font: Prestige Elite

↓ Full video flick-through below

→ Available to purchase here