Book of the Road by Daniel Meadows

Book of the Road celebrates the 50th anniversary of Daniel Meadows’ pioneering 1970s documentary project Free Photographic Omnibus.

Driving over 10,000 miles in a double-decker bus, the wild-haired young Meadows spent 14 months mapping the length and breadth of England, photographing 958 people and offering a free print to each of his subjects. Along the way, amongst countless breakdowns, parking tickets and random acts of kindness, he had chance encounters with the likes of Led Zeppelin’s Robert Plant. Meadows’ determination allowed him to assemble all this material into a cartographic census of an evolving nation.


The inspiration for the book came from a road atlas: the 1967 edition of The Reader’s Digest AA Book of the Road – which Tom first saw three years previously. It’s a beautiful object and a very recognisable one which people kept in their car glove boxes during the 1960s. Tom presented Daniel with the idea of copying many of the design elements of the original to make our own, and he was totally onboard.

So, stealing the size and shape of the original atlas was the beginning of pulling Daniel’s photographs into a sequence which chronologically follows his journey in the bus over those 14 months. But unlike other books containing this work, there are countless unseen and unpublished photographs included, which are made more vivid and real by transcribed audio diaries which fill in the gaps between images. They also offer great insights into the mindset of Daniel as a young man on the road, trying to document a population at a time of great change.


Bringing this work back into print while honouring Daniel’s original journey was key and out of that was born a book that truly and honestly represents the work in its entirety. A 21-year-old Meadows, a double-decker bus, 14 months of work, 10,000 miles travelled, 150 pictures over 220 pages with six gatefolds, and almost 10,000 words of contemporaneous audio diary extracts: all this is in this book.

Another design element inspired by the original atlas was the use of gatefolds to make navigating the map easier. Using similar gatefolds in Book of the Road in order to present the Now and Then photographs. These are images of people Daniel met on the road, but 25 years later, allowing you to see how they have aged and changed. The original photographs are on the outside of the gatefold layered on top of the ones made 25 years later, so you can switch between the two to notice subtle changes. Accompanying the photographs are heartwarming testimonies from the subjects.
Year: 2023
Pubisher: Bluecoat Press
ISBN: 9781908457783
Printer: MAS, Matbaa
Printing: CMYK + Tri-tone
Binding: Case Bound Hardback
Size: 165x290mm
Pages: 220
Images: 160
Paper: Arctic Volume Ivory, Holmen TRND 2.0, Wiablian Natural, Wicotex Brillianta
Fonts: New Transport & Skolar

→ Available to purchase here

In the press:
→ Martin Parr Foundation 
→ The Guardian
→ The Sunday Times
→ Black+White Photography





“A redo of Meadows amazing bus portrait journey. Designed like the old fashioned AA Book of the Road road atlas. Book of the Road celebrates the 50th anniversary of Daniel Meadows’ pioneering 1970s documentary project Free Photographic Omnibus. Driving over 10,000 miles in a double-decker bus, the wild-haired young Meadows spent 14 months mapping the length and breadth of England. Beautifully designed by Tom Booth Wooger who is singlehandedly turning Blue Coat around the right corner.”

→ Photobooks of 2023: Matt Stuart
“Cleverly designed by Tom Booth Woodger to replicate the size and shape of on old AA road atlas, the book offers an insight into Daniel’s process and the political and social climate of Britain in the 1970s. I’m a big fan of Daniel Meadows and this book celebrates the 50th anniversary of his Free Photographic Omnibus, a highly original project where he travelled the length and breadth of England in a double decker bus, allowing photography to reach the everyday person on the street and creating cultural collaborations.”

→ Photobooks of 2023: Alys Tomlinson


Just 21 years old when he set up The Free Photographic Omnibus, Daniel Meadows is now one of Britain’s greatest documentary photographers. He worked mostly on instinct, and many of his DIY techniques anticipate documentary media’s progress in the following decades. He remembers sewing a tape recorder into an old tweed jacket so that he could photograph while also capturing audio. The original bus – a low-bridge decker from Barton Transport – cost him just £360. Meadows’ subjects collected their free portraits the following day, after he had spent many restless hours developing film and printing in the bus’ makeshift darkroom.

Book of the Road gives readers the stories behind the photographs, from battles with angry parking attendants, nights of acute loneliness and moments of joy. This mix of images, diary entries and audio transcripts offers a unique commentary into the 1970s social climate – as well as Meadows’ mindset during the project. In Southampton in 1974 he met Florence, a part-time cleaner who he remained close with for five decades, eventually speaking at her funeral. “It was one of the great privileges of my life,” Meadows recalls.


“Fifty years ago, funded in part by a £100 cheque from The Sunday Times, Daniel Meadows drove a double-decker bus across Britain, taking the portraits of more than 950 people along the way.”

→ The Sunday Times Magazine
Magical history tour: all aboard the bus around 1970s Britain- “When Daniel Meadows set off around the country on a rickety doubledecker bus he met fisherman, circus troupes and tattooists. His work remains relevant 50 years on.”

→  The Guardian

“This country is changing quickly… we might soon forget those interesting relics of the past that are disappearing under the redevelopment of the future.” This future is now here, and Meadows’ pictures remain as relevant as ever. Book of the Road cements The Free Photographic Omnibus as an essential document of 1970s England – an urgent and timeless visual record.

The book offers a survey of English life when modernisation was seeping into everyday values and communities. Cobbled streets in tight-knit parishes and bustling city centres accompany familiar green pastures, but Meadows also takes us behind the curtain at marble competitions, circuses and beauty contests. Throughout, his subjects of all ages and social classes stand proudly for the camera, unaware that they were to become part of history.