Tom Booth Woodger

Designer, publisher & photographer based in London, UK.

More information here.

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Contact

tom.booth.woodger@gmail.com
@tomboothwoodger


Photographs

Index
Kicking up Dust
 In a matter of seconds, & minutes
Little White Butterflies

Objects

Portfolio Boxes
 Posters

Websites

Bluecoat Press
Photo Editions
Tami Aftab
Alison McCauley

Book Design

Reverie - Martin Amis
The Killing Ditch - Damnien Wootten Assent - Michael Alberry Shuttles, Steam & Soot - Daniel Meadows Young People's Prompts for Looking at Portraits by Anthony Luvera
The Magic Money Tree - Kirsty MacKay One Year! Photographs from the Miners’ Strike 1984-1985
The Lake - Ian Ruhter
Backdrop - One Rainy Day
ATLCA (3rd Edition) - Matt Stuart
Reconstructed Nature - Luke & Nik
Need Not Greed - Alan Hardman
 This Was Then - Mike Abrahams
Vulcan’s Forge - Janine Wiedel
Shimmers - Alison McCauley
One Night Only - Bruce Gilden
Black Cat Kingdom - Sari Soininen
The Rice is on the Hob - Tami Aftab
Book of the Road - Daniel Meadows
Children - Marketa Luskacova
Folly - Jamie Murray
Closed - Martin Amis
Portlanders - Nick Gervin
Modern Paradox - Joshua K. Jackson
Hidden - Elena Subach
This Golden Mile - Kavi Pujara
The Island - Robert Darch
Who We Are 200
Gesture Workshop
Black Country - Bruce Gilden
 Silent Coast - Rob Ball
Anywhere but here - Alison McCauley
Birdmen - Dod Miller
Memory Lane - Martin Salter
 Every Cross - Michael Alberry
Keywork - Chris Hoare
Murmurations - Billy Barraclough
This Land - Martin Amis
c.1950 - Jake Michaels
Breakfast - Niall McDairmid
 ATLCA (2nd Edition) - Matt Stuart
 Into the Fire - Matt Staurt















































































The Island - Robert Darch

“How can photography negotiate a world where reality has become odder than fiction? Darch’s latest series, The Island, provides an answer. Landscapes and portraits together capture a country racked with tension. They are shot in black-and-white, and suffused with an almost palpable melancholy. There are mist-shrouded coves, murky hills and forlorn trees. The sea, emblematic of Britain’s decision to detach itself from its neighbours, is a persistent and forbidding presence.”

- The British Journal of Photography, Joe Lloyd
Year: 2022
Pubisher: Photo Editions
ISBN: 978-1-8382195-1-2
Printer: MAS Matbaa
Printing: Tri-tone + Varnish
Binding: Open Spine softback with flap
Size: 240x294mm
Pages: 84
Images: 43
Paper: Arctic Volume Ivory 150gsm
Font: Garamond

→ Available to purchase here

On 23 June 2016, the UK’s electorate voted to leave the European Union. For Robert Darch, the morning after remains etched in the memory. “I woke up feeling this overwhelming sense of heaviness, and the sadness that we’d lost something,” he recounts. “It felt like a tipping point into the surreality that was to follow.”