Tom Booth Woodger

Designer, publisher & photographer based in London, UK.

More information here.



Contact

tom.booth.woodger@gmail.com
@tomboothwoodger


Photographs

Index
Kicking up Dust
In a matter of seconds, & minutes
Little White Butterflies


Objects

Portfolio Boxes
Posters

Websites

Bluecoat Press
Photo Editions
Tami Aftab
Alison McCauley


Book Design

Reverie - Martin Amis
The Killing Ditch - Damnien Wootten Assent - Michael Alberry Shuttles, Steam & Soot - Daniel Meadows Young People's Prompts for Looking at Portraits by Anthony Luvera
The Magic Money Tree - Kirsty MacKay One Year! Photographs from the Miners’ Strike 1984-1985
The Lake - Ian Ruhter
Backdrop - One Rainy Day
ATLCA (3rd Edition) - Matt Stuart
Reconstructed Nature - Luke & Nik
Need Not Greed - Alan Hardman
This Was Then - Mike Abrahams
Vulcan’s Forge - Janine Wiedel
Shimmers - Alison McCauley
One Night Only - Bruce Gilden
Black Cat Kingdom - Sari Soininen
The Rice is on the Hob - Tami Aftab
Book of the Road - Daniel Meadows
Children - Marketa Luskacova
Folly - Jamie Murray
Closed - Martin Amis
Portlanders - Nick Gervin
Modern Paradox - Joshua K. Jackson
Hidden - Elena Subach
This Golden Mile - Kavi Pujara
The Island - Robert Darch
Who We Are 200
Gesture Workshop
Black Country - Bruce Gilden
Silent Coast - Rob Ball
Anywhere but here - Alison McCauley
Birdmen - Dod Miller
Memory Lane - Martin Salter
Every Cross - Michael Alberry
Keywork - Chris Hoare
Murmurations - Billy Barraclough
This Land - Martin Amis
c.1950 - Jake Michaels
Breakfast - Niall McDairmid
ATLCA (2nd Edition) - Matt Stuart
Into the Fire - Matt Staurt

















































































Folly by Jamie Murray

“He looked at me and asked, are you a man or a beast?
I questioned if there is a difference between the two.
There can be if you want, that’s the butterfly, that’s the aim, it just takes time.”


The photographs in Folly, the debut photobook from Jamie Murray, were born from a series of conversations with individuals who have been incarcerated. Discussions of what had led to punishment, navigating the prison environment and the transition to freedom flowed towards philosophy, ideas of discipline and punishment, intertwined with questions around natural order and spirituality. The resulting allegorical photographs in Folly refer, both directly and indirectly, to what was said and how these conversations affected Murray.  

Murray first began speaking to the individuals in 2017 in an attempt to understand more about their experience with the aim of making a documentary series within a prison. Most had been in numerous prisons over long periods of their life, often multiple times, and Murray hoped to document these meetings and brought along his camera. Some individuals would allow portraits, and others not. As the conversations evolved, so did the project, as the encounters led him to reflect upon his own life, choices and history with meandering thoughts and emotions relating to what had been discussed.

The pictures in the book begin with an imposing folly - an ornamental structure of no purpose, both foolish and excessively costly. The images that follow, a pile of coins glistening in the undergrowth, gathered crows, a fish gasping for breath outside water, rows of butterfly pupae, interweaved with haunting portraits of some of the individuals evoke a fractured narrative, a rumination on these conversations and the relationship between man and nature, co-existence and interference.

Year: 2023
Pubisher: Photo Editions
ISBN: 978-1-9169054-5-0
Printer: MAS Matbaa
Printing: CMYK + Varnish, Silkscreen
Binding: Hardcover
Size: 245x296mm
Pages: 60
Images: 30
Paper: Arctic Volume Ivory +Fedrigoni Materica Gesso + Wibalin Natural Black
Font: BB Modern

→ Available to purchase here


In the press:
→ The Guardian
→ Quest
→ c4 Journal
→ Creative Review
→ Vessel
Editions
→ The
British Jounral of Photography
→ It’s Nice That



A beautiful first photobook by Jamie Murray. The photographs in Folly were born from a series of conversations with individuals who have been incarcerated, the combination of Murray's beautiful and poetic images, with the design makes for a powerful debut title.

→ Photobooks of 2023: Rachel Barker from STANLEY/BARKER