Tom Booth Woodger

Designer, publisher & photographer based in London, UK.

More information here.



Contact

tom.booth.woodger@gmail.com
@tomboothwoodger


Photographs

Little White Butterflies
Kicking up Dust
In a matter of seconds, & minutes


Objects

Portfolio Boxes
Posters

Website Design

Bluecoat Press
Photo Editions
Jamie Murray
Tami Aftab
Alison McCauley


Book Design

Reverie - Martin Amis
The Killing Ditch - Damnien Wootten Assent - Michael Alberry Shuttles, Steam & Soot - Daniel Meadows Young People's Prompts for Looking at Portraits by Anthony Luvera
The Magic Money Tree - Kirsty MacKay One Year! Photographs from the Miners’ Strike 1984-1985
The Lake - Ian Ruhter
Backdrop - One Rainy Day
ATLCA (3rd Edition) - Matt Stuart
Reconstructed Nature - Luke & Nik
Need Not Greed - Alan Hardman
This Was Then - Mike Abrahams
Vulcan’s Forge - Janine Wiedel
Shimmers - Alison McCauley
One Night Only - Bruce Gilden
Black Cat Kingdom - Sari Soininen
The Rice is on the Hob - Tami Aftab
Book of the Road - Daniel Meadows
Children - Marketa Luskacova
Folly - Jamie Murray
Closed - Martin Amis
Portlanders - Nick Gervin
Modern Paradox - Joshua K. Jackson
Hidden - Elena Subach
This Golden Mile - Kavi Pujara
The Island - Robert Darch
Who We Are 200
Gesture Workshop
Black Country - Bruce Gilden
Silent Coast - Rob Ball
Anywhere but here - Alison McCauley
Birdmen - Dod Miller
Memory Lane - Martin Salter
Every Cross - Michael Alberry
Keywork - Chris Hoare
Murmurations - Billy Barraclough
This Land - Martin Amis
c.1950 - Jake Michaels
Breakfast - Niall McDairmid
ATLCA (2nd Edition) - Matt Stuart
Into the Fire - Matt Staurt

















































































c.1950 - Jake Michaels

c.1950 documents the Mennonites of Belize. Initially in search of a place to practice their traditions freely, the community have made the country their home for the last 70 years.

The sun was high, and the jungle was in flames when we turned down a gravel road. As we approached the fire, a few of the men were burning the forest, clearing land for future families. Amidst this blaze was the first time I saw them.

In the distance, homesteads dotted the lush green hills; in each of these a family had their slice of paradise. The landscape recalled the simple agricultural society of the American midwest in the 1950s: a placid utopia frozen in time, sprung from the seeds past generations had planted.

As dusk approached, the pastor of the first village gave me permission to photograph the community’s families. I was struck by the near-silence of the land, only interrupted by the sound of horses’ hooves and wooden wheels. These buggies were often driven by young children with surprising authority. The young here are given responsibility at an early age, not only in the home but in society as a whole…

- Jake Michaels

Year: 2021
Pubisher: Setanta Books
Printer: Wilco Art Books, NL
Reprographics: Colour & Books, Sebbastiaan Hankeroot
Printing: CMYK + Varnish
Size: 265x255mm
Pages: 96
Images: 50
Paper: Symbol Titami Ivory 150gsm
Dust Jacket: Arena Natural White 200gsm
Cover cloth:  Brillianta Callandre BR34048 + Kurz 911
Endpapers: Wibalin Natural Fawn 120gsm

↓ Full video flick-through below

→ Available to purchase here



The Guardian big picture: Mennonite women in Belize by Tim Adams

“The result of that trip is a book titled c1950 that captures the ways in which the Mennonites, an Anabaptist Christian sect, believe that they should be “in the world but not of it”. Their lives are based on principles of agrarian cooperation and mutual aid: older children take care of younger ones; neighbours are always on hand to fix farm equipment or help out with a harvest. The Belize government allows the group to live mostly independently on their own land; young men are not called up for national service and children are educated in line with the community faith.

Even so, that stubbornly maintained way of life is under increasing threat from the advance of technology. This picture was taken in a factory facility in which beans are sorted and bagged by Mennonite women. They make their own dresses and wear head coverings in public, giving the factory floor the look of a Renaissance painting. At the same time, the incongruous overhead electric lights suggest the modern world encroaching on traditional Mennonite practice. Elsewhere in Michaels’s photos, young men in dungarees drive pony traps, but have smartphones clamped to their ears...


Read more here