Tom Booth Woodger

Designer, publisher & photographer based in London, UK.

More information here.



Contact

tom.booth.woodger@gmail.com
@tomboothwoodger


Photographs

Index
Kicking up Dust
In a matter of seconds, & minutes
Little White Butterflies


Objects

Portfolio Boxes
Posters

Websites

Bluecoat Press
Photo Editions
Tami Aftab
Alison McCauley


Book Design

Reverie - Martin Amis
The Killing Ditch - Damnien Wootten Assent - Michael Alberry Shuttles, Steam & Soot - Daniel Meadows Young People's Prompts for Looking at Portraits by Anthony Luvera
The Magic Money Tree - Kirsty MacKay One Year! Photographs from the Miners’ Strike 1984-1985
The Lake - Ian Ruhter
Backdrop - One Rainy Day
ATLCA (3rd Edition) - Matt Stuart
Reconstructed Nature - Luke & Nik
Need Not Greed - Alan Hardman
This Was Then - Mike Abrahams
Vulcan’s Forge - Janine Wiedel
Shimmers - Alison McCauley
One Night Only - Bruce Gilden
Black Cat Kingdom - Sari Soininen
The Rice is on the Hob - Tami Aftab
Book of the Road - Daniel Meadows
Children - Marketa Luskacova
Folly - Jamie Murray
Closed - Martin Amis
Portlanders - Nick Gervin
Modern Paradox - Joshua K. Jackson
Hidden - Elena Subach
This Golden Mile - Kavi Pujara
The Island - Robert Darch
Who We Are 200
Gesture Workshop
Black Country - Bruce Gilden
Silent Coast - Rob Ball
Anywhere but here - Alison McCauley
Birdmen - Dod Miller
Memory Lane - Martin Salter
Every Cross - Michael Alberry
Keywork - Chris Hoare
Murmurations - Billy Barraclough
This Land - Martin Amis
c.1950 - Jake Michaels
Breakfast - Niall McDairmid
ATLCA (2nd Edition) - Matt Stuart
Into the Fire - Matt Staurt















































































Murmurations by Billy Baraclough (with poetry by Lue Mac)

'Murmurations' by Billy Barraclough is, in its simplest expression, a study of the shape and form of starling murmurations, which he observed daily throughout winter 2020-21. The project is presented alongside newly commissioned poetry by poet Lue Mac.

Billy's desire to visit this mass gathering of birds came about during the first lockdown of 2020, after he opened a box of photographs left behind by his late father, John Barraclough. In that archive, Billy stumbled upon an album of pictures that showed him as a young boy chasing starlings on the beach in Blackpool.

As the winter lockdown hit, Billy began visiting a local murmuration as an almost daily ritual to reconnect with nature; the long trek to the wetlands serving as a moment to reflect on the surreal situation imposed by the pandemic. At this time of worldwide crisis - when individuals are asked to sacrifice their freedoms for the sake of something larger - murmurations can be seen as an apt metaphor.


“The ‘normal’ functioning of nature and the environment had continued and despite our lockdowns, mask wearing, and mass sanitisation, the trees were still losing their leaves, the birds were still migrating for winter and the murmurations were still happening in the same place and same time every day.”
Year: 2021
Pubisher: Besides Press
Printer: Mixam, UK
Silkscreen Printing: Vino Sangre
Printing: Greyscale Offset
Edition: 225
Size: 280x210mm
Pages: 22 Pages, 2 gatefolds & 2 double gatefolds
Images: 24
Paper: Recycled uncoated 120gsm
Cover: GF Smith Ebony

↓ Full video flick-through below

→ Out of Print


 

Freezing a moment from the murmurations' ever-shifting flow creates something distinct from the experience itself. The images become sculptural; ever-morphing forms are rendered static, and we're able to study the birds' unique creation as it existed for only a split second. The form and flow of the book echoes the natural progression of the starlings as they murmurate: the images start out sparse, with just a few birds gathering, and then reach a crescendo before quieting back down as the starlings go to roost.

The tone is beautifully complemented by a series of poems written by Lue Mac, reflecting on their own experience of watching starlings murmurate at a beach by Little Sea, near their home in rural Dorset, during the same time that Barraclough was making his photographs. The resulting poems touch on themes of separation, reconnection, the moment of touch, and life across seasons.